2020 PAMS

KR
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Assembly

Challenges and questions for the change of International mobility:
For all that, why do we need to connect?

* Organized by New Connections in association with the KAMS Connection https://newconnections.tistory.com/
New Connections was a research project interviewing 14 artists, producers, networking connectors in the midst of the COVID-19 pandemic.
The research explored how international exchange and mobility had changed in the post-COVID-19 era,
with the ongoing mobility crisis making international exchange based on physical movement difficult or uncertain.
Based on what the researchers found, this session will discuss challenges and questions about the change
in international mobility and explore future of art and international mobility with four panelists.

Date: Oct.12th(Mon) 16:00-17:30
LINK: KAMS Youtube Channel

reminder

MODERATORS

Ji-sun Park Researcher, New Connections

Ji-sun Park is a creative producer, researcher, and arts policy advisor. Over for 20 years, she has been working without boundaries of genre, producing works, planning festival, initiating international residency and international network such as APP (Asian Producers' Platform), CAN (Circus Asian Network).
Recently she has begun new explorations with artists on various subjects including cities, boundaries, technology and arts. She has been initiating collaboration between artists and non-artists to explore the contemporariness of the arts.

Jin Yim Researcher, New Connections

Jin Yim is an independent producer and a facilitator based in South Korea. She has worked on a wide range of art projects including performance, theatre, and multidisciplinary arts in public spaces. Her main interests are in challenging the former practices of arts with new ideas and approaches from ordinary lives of our contemporary society. She is currently working as a programmer of Pohang Street Arts Festival and Gwacheon Festival, and a working group of Korea Street Arts Association.

Kyu Choi Researcher, New Connections

Under the themes of ‘Diversity and Inclusion, Art and the City’ and ‘Art and Technology’ Kyu has recently developed several research-led workshops and practices including ‘Connected City’ in 2017 questioning what the role of art and technology should be in a rapidly changing urban environment like Seoul, ‘The Korea DMZ Lab’ in 2019 exploring borders/boundaries in our contemporary society through the DMZ lens to engage with community and the public, ‘Aesthetics of Access Workshop’ in 2019, and ‘Dance Audio Description Workshop’ in 2020 for accessibility and creative development for arts and disability.
Kyu has worked as artistic director as well as creative director for the UK/Korea Season Festival 2017-18, the Chuncheon International Mime Festival and the Ansan Street Arts Festival. In 2005 he founded AsiaNow Productions so that he and his associates could produce and present innovative Asian contemporary theatre, dance and circus, also producing many intercultural co-productions and international artist-in-residency programmes for interdisciplinary arts. Since 2014, he has worked to develop the Asian Producers’ Platform and APP Camp 2014-2019.

PANLELS

Ian Leung Programme Manager, HKAC

Prior to joining the HKAC, Leung earned solid experience in programming, producing, touring, audience development and education in performing arts at the Hong Kong Arts Festival for 5 years. He is now overseeing performing art, public art as well as audience development programme for the HKAC since 2013.
In 2016, Ian was awarded with two scholarships by the Hong Kong Arts Development Council to participate at the ILPVAM and the Arts Activator Research Fellowship by Yale-China at Yale University, New Haven in 2019.
Recent curatorial and producing projects include: Art Actually with Les Halles de Schaerbeek, a coupling project of contemporary artists of multi-arts residency performance exchange between HK and Brussels in 2017; Harbour Arts Sculpture Park 2018, a large scale public art project alongside Victoria Harbour; Cultural Masseur – Dragonix Multi-arts Festival, an audience development campaign based on inter-disciplinary practices and experiential encounter since 2018. Current Public Art and Architecture urban design campaign – Via North Point with Finale Festival in Sep 2021.

Madeleine Flynn

Madeleine Flynn is a leading Australian artist who creates unexpected situations for listening. She has a longterm collaborative practice with Tim Humphrey.. Her work is driven by a curiosity and questioning about sound in human culture and seeks to evolve and engage with new processes and audiences, through public and participative interventions. Her practice intertwines local, national and international relationships.
In 2017 her practice was awarded the prestigious national Australia Council Award for Emerging and Experimental Artforms, and she has 5 GreenRoom Awards and 2 APRA AMC Awards for Excellence.
Her work has been presented and commissioned widely internationally including Theater Der Welt, Germany: Brighton Festival UK: Sonica Festival Glasgow: Asian Arts Theater, Gwangju: Incheon Art Platform, Seoul: Sydney Festival Australia: Melbourne Festival Australia: AsiaTopa, Melbourne: Perth
Her current areas of interest are existential risk, artificial intelligence in public space, and long form socially engaged public art interventions. She is currently a Creators Fund Fellow, working on a new commission from ACCA and co-curating ADAM Taiwan 2020.

Mathias Prinz

I studied music and literature at a university that combines cultural theory and art practice. My group machina eX was founded there and we have been making game-theatre ever since, lucky enough to turn it into a profession. At machina eX I work as a game designer, dramaturg and sound designer. Apart from my work with machina, I also work freelance as a musician, composer and game designer.
Machina eX was founded in 2010. As a group, we try to understand and use the possibilities of digital games and put them in unusual contexts. Most of our work has been combining game mechanics and theatre methods.

Yohann Floch Board Member, On the Move

Yohann Floch is a consultant working for independent arts organisations and cultural institutions, also taking part in the activities of many international cooperation projects such as Learning Trajectories (led by Eunia), SHIFT (led by the European Music Council), i-Portunus (led by Goethe Institut), Innovative Leadership Network (led by Dansehallerne) among others. He is an expert for governmental bodies such as Arts Council Malta, Kulturrådet or Slots- og Kulturstyrelsen as well as foundations like European Cultural Foundation, Fondation de France and other intermediary organisations active in advocacy, cultural mobility, fundraising, policy making and internationalisation strategies. Yohann Floch regularly leads workshops and seminars on cultural policy, international networking, capacity building and strategic management: working internationally, he delivers lectures in universities, facilitates discussions in professional gatherings and contributes to mentoring programmes. He is for example one of the key resource-persons associated to the coaching of performing arts companies within a new internationalisation programme for the arts and cultural sector in France, funded by the Ministry of Culture and the Institut Français and coordinated by On the Move, the European network dedicated to cultural mobility. He leads FACE, an international platform facilitating international collaboration and developing capacity building programmes for artists and culture professionals from the contemporary performing arts field. Finally, Yohann is international advisory board member of the Danish organisation IMMART-International Migration Meets the Arts.

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